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Most people nowadays might recognize Tayla Parx as one of Ariana Grande's lucky seven best friends who received a diamond ring from Tiffany's. As we all know, Ariana made a trap-inspired pop smash from Thank U, Next about the luxury gift-giving experience, called "7 Rings." But did you know that Parx's name is in the writing credits? (In fact, she applied her pen to five other Thank U, Next tracks, including its massive title track).

At just 25, Texan native Parx has impressively made a name for herself as a dancer, actor, and empathic hitmaker to the stars, including Rihanna, Usher, Mariah Carey, Fifth Harmony, Nicki Minaj, and many others. While in-between gigs, she launched her own label imprint, Tayla Made, and recorded songs that would become an emotionally resonant mixtape named after her label.

Today, following a few successful promo singles, including synth-pop ballad "Me vs. Us," the cutesy electro of "Slow Dancing," and charmingly romantic "I Want You," audiences get a fuller picture of Tayla's songwriting prowess in her official debut album We Need to Talk. But what emerges perhaps more clearly than ever is a singular voice. Tayla has bars and melodies for days, and a distinctive image (cartoon animations blending her real life lavender pixie cut, and affinity for Texan iconography and art director-friendly sportswear).

The down-to-earth songwriter is currently supporting Anderson.Paak on the European leg of his world tour, and PAPER caught up with her before a Berlin engagement. After that, Parx is touring with Lizzo for her upcoming Cuz I Love You album before headlining her own shows. Like any 25-year-old in Parx's position would be, she's pinching herself. "I've been learning so much from Anderson just because he's one of the greatest live performers that I've ever been blessed enough to witness," she says giddily. By all appearances, it seems that for Parx and her fans, whom she calls her "Taylatotts," the best is surely yet to come.

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Much in the way she has helped construct a more relatable sound for artists like Grande, We Need to Talk promotes an ethos of inclusiveness throughout its 15 tracks. She parses out her thoughts on gender stereotypes (the aforementioned "Slow Dancing" and the interlude "Tomboys Have Feelings Too") and friendship (the cleverly queer-baiting "Homiesexual"), even as she explores very millennial crushes ("What Can I Say") and very real heartache ("Afraid to Fall," and the album's title track). The uplifting tone of We Need to Talk is accentuated by stylish dives into sparse synth-pop, '90s-leaning R&B, and sprinklings of reggae. It is also an introduction to a shape-shifting artist who can translate her specific experiences into our common reality.